“It is well worth paying close attention. Aylward’s suite is at turns mysterious, iridescent and daring.”

Gramophone

“Delicate and poetic, with subtle, shimmering, imaginative colors.”

— American Record Guide

“John Aylward manages to condense with absolute originality the linguistic innovations that have evolved over more than a hundred years of avant-gardes, while never resorting to sterile twists and turns nor to exaggerations suitable only for épater le bourgeois.”

— Michele Palozzo. Esteros

“Gripping music of a high order” … “The manner by which Aylward conjoins his vocal and instrumental elements in the work sometimes calls to mind Berg’s handling of orchestration in Wozzeck and Lulu — a comparison any living composer, I’m guessing, would be happy to accept.”

— Textura

“…never sacrifices the sincerity of sensitivity…”

–Viktoria Okada. Tout La Culture

“This is music of fascination and profundity.”

— Arkiv Music

“We hear brilliant energetic rhythmic figures, imaginative sonorities in complex instrumental combinations, momentum generated by nervous, inventive figuration, lines and harmonies that always move, always inflect. Also striking are the zones of suspended motion and otherworldly calm.”

–American Academy of Arts and Letters

“Otherworldly visions of your own are bound to ensue upon listening to this exquisitely ethereal music.”

— The Whole Note

“…an intensely communal encounter for our own time.”

— The Boston Globe

“This kind of compositional eloquence comes only from a combination of discipline and intuitive formal mastery.”

— The Boston Musical Intelligencer

“…textures of efficient richness, delicate and deep all at once.”

— The Boston Globe

Recent Interviews:

A Transcendent Journey, by Richard Duckett

Artists Alone, by Keith Powers

October Press Release

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